A lady is in the shop reading to herself The Very Hungry Caterpillar and I am reading to myself The English Patient. She shows her friend the book and her friend says: Oh, I remember that one. And the reading lady says: don’t we all…and they are smiling. Then they look at my book and tell me that I ought to see the film.
My friend says that Michael Ondaatje is slippery, that is, his writing is slippery, luminous and unpredictable so that suddenly he has described something… like translated light and there is no retreat…
…the blue and other colours, shivering in the haze and sand. The faint glass noise and the diverse colours and the regal walk and his face like a lean dark gun…
And when reading such incandescent sentences, you know that there is more at play that just those sentences, meanings and truths as large as the world itself following behind your reading, towering over your page, creaking gently behind, on and on and on.
A little boy has chosen a book called How to Draw Monsters and he holds it up to show me, he points significantly toward the monster on the cover. He comes over to whisper to me that he is going to draw these now, but bigger ones.
My friend said that Michael Ondaatje is an incomparable writer.
An old lady tells me she has read every book in the Outlander Series and now intends to collect them in hardcover and then she will read them all again. She said she has lived these characters and died with them every day when she reads for hours before dinnertime. I show her The English Patient, but she has never heard of it.
My friend said that Michael Ondaatje has written a number of other books, not just The English Patient. And they are all worth pursuit. (He has come in to see me for poetry but there is nothing sufficient here today).
A mother buys Thea Stilton: The Journey to Atlantis for her daughter who is about 10 years old and she leaves with the book balanced on her head and her eyes closed so that she runs into her brother in the doorway and he says Oh man, oh man, what are you…
The English Patient is a book that does not seem to contain many words.
A man comes through the door, hurrying, nervous of the time. He has leant a shovel against the window as he comes in and his boots are covered in cement. He takes his hat off and says the weather is a cow. Then he asks for Nineteen Eighty-Four by George Orwell, his favourite book, he wants to read it again and he explains how this book is one of the best, possibly the best in the world. I show him The English Patient and he says he has never heard of it.
The English Patient is unloud and sufficient and simple and impossibly complex, and tonight I will finish it, reading the same startling way I way I did last night, taking in Cairo, the indigo markets, the minarets and the charcoal and the aching hearts and listening to The Rachmaninoff 3 at the same time and Max there with me, banging a toy water buffalo on the keyboard and wanting me to choose Duplo instead.