When I was a child, colours in glass meant Christmas, but I don’t know why. I know we lived next to a church with stained glass windows that would have shouted their outrage all through the summer. Colours of boiled lollies. We sat on the smooth wooden pews in church every Sunday morning, already hot, already ready to leave, across the road the sea went on and on and didn’t even care about Christmas. Our bikes leaned against the gate close by because we only lived next door. Once my brother threw a brick into the outside church toilet and busted the porcelain bowl and we sprinted without stopping all the way home which was only ten metres. Because the minister’s kids shouldn’t do stuff like that.
Christmas time was rich and heavy and brilliant with the sea across the road, Santa in a front end loader and it was a real Santa not some bullshit farmer dressed up and riding in their own front end loader. This was a real one and his reindeer were in the old stone barn at the back of the bank. The kids whose dad ran that bank said this was true and I remember that girl, Susan, in my class, had a dragster bike with pink things on the wheels so it was real what she said. Christmas was stained glass and the nativity, a brilliant tranquil story fired though with candles and sheep, lit up at the back with a stained glass window of another entirely different story, set on fire with the summer, threaded through with the last days of school where we made lanterns with green, blue, red, orange, yellow cellophane, the classrooms blazing with tinsel, the final concert where we sang too loud and the infants teacher was tired and said keep calm and that family that lived in the sandhills in a shack that had no electricity and sand going in the front door. And then we ran home fast as anything because if you were outside when the sleigh went over you only got a bag of sand. The green and blue bottles at the window reminded me of all of that.