The small tasks that are done on long weekend Mondays

It’s just traffic driving past really, not fast or slow, just endless, and the sky’s dark and the air is grey and cold. Everyone’s going home. Only truck drivers are stopping for food from the bakery. They walk past checking phones and sometimes they look in see me sitting here: one driver smiled and waved. An older couple spend ages trying to park a caravan outside my door. She stood on the footpath waving directions. Eventually they walked past my door; she had a really heavy shoulder bag and stopped to adjust it. She looked cold and annoyed. They both glanced in at me and then away again.

The carpark across the road is empty. There’s just a lady with smooth pale gold hair. She’s coming across to the bakery. She has an evening bag with a long gold chain. She’s dressed completely in motorcycle leather, including the boots. She looks as though she could go anywhere.

Families with small dogs on endless leads: a father has to untangle terriers and little children who won’t let go of the leads, and he says, ‘All right, let’s just do it slowly. Bridget let go a minute, come on.’

A man walking past fast does an about turn and stares at my door. He stacks two coffees and enters hopefully. ‘I’ve lost someone.’

She’s here, looking at books in the back room. She comes out. ‘I’ll be here for ever.’ He hands her a coffee and says ‘Keep looking. Keep looking.’ They stand side by side with their heads on the exact same angle, hugging hot coffees to hearts.

A mother and two small boys sweep past, but the little boys come back and press noses on the window. Then they move away, but the older boy comes back and stares through at something again. Then he disappears, but returns again, and then again. I cannot work out what he is staring at.

There’s a young man eating a pastie. His shoulders are hunched and he keeps one hand in his pocket. He glances backwards without interest into my shop window and away again. A young woman meets him and he says to her, ‘What’d you get me?’

She says, ‘Nothing.’ And he throws his head back and laughs and says, ‘Mate!’ Then he throws his arm across her shoulders and they walk on, and an old man with a grim face and a green Woolies shopping bag walks up behind them, and then a young woman steering a huge pram with just one hand. Her other hand is steadying what looks like loose apples on top of the pram. None of the apples fall; she is so focused on this one important task.

Illustration by Valentin Rukunenko

Hey, the bookstore’s open

It’s the long weekend, and I’m open! There are passers-by; the windows are dark with them, all full and knobbly with long weekend plans.

‘Hey the bookstore’s open. Not going in there.’ They don’t even look in. But I see them.

Some old ladies come in and look around, pleased. One says to me, ‘We have to dress up, and I’m going as a sorcerer.’ They don’t tell me what they have to dress up for. The other says to me, ‘I’ve got so many thousands of books at home.’

I say, ‘So do I’, but they don’t hear me. They move away chatting to each other.

‘I read Harry Potter. And I read Terry Pratchett. I wasn’t sure about them.’

‘Yes.’

‘What on earth are these?’

‘Oh, Enid Blyton. Yes.’

‘I think I’ll have to get this, The School Bus, it’s a bit tattered, but I guess it’ll do.’

She brings The School Bus back to me, and together we look at its tatteredness. Her friend emerges.

‘Shall we walk back to the museum in the hopes that it’ll be open, or shall we not bother?’

‘These small towns.’

‘Yes.’

They move slowly out of the door. ‘Will you carry my books?’

‘Guess I’ll have to’.

They drift up the road toward the hopeful museum, and two men take their place, looming up and leaning against the glass, peering in.

‘It says come in. but it’s pretty dark. Says open.’

‘Dunno. Rekn it’s closed.’

They turn away from the OPEN sign and slowly walk away, still talking. ‘And then I said to him, just get it done, mate.’

A family take their place at the door. They have climbed out of a parked car.

‘Get off the road,’

‘Get in here,’

‘Mal, I’m going in.’

In comes Mal, his old mother and the grandchild who had previously been on the road.

They buy three Penguins and Tough Boris by Mem Fox.

Someone buys Jules Verne.

Someone buys Anthony Trollope.

Someone buys Agatha Christie.

Someone asks for Kate Grenville.

A lady asks for books about fish. She said she loves fish.

I read Elizabeth Jolley.

The Rudyard Kiplings fall to the floor. All 16 of them.

I sell Horton Hatches the Egg.

Someone offers to buy the wooden cat.

There is some shouting outside over a car park, and then motorbike zooms away outraged.

A family buy Ballet Shoes and Pinocchio.

(Illustration Finding Your Fish by James C. Christensen)

I was here

I was here. It’s the Watsacowie Brewery in Minlaton, SA.

It’s autumn and warm. We went down an endlessly wide street in a tiny town on South Australia’s Yorke Peninsula, and there it was, amongst the paddocks, a brewery, and busy. The locals have brought their dogs. Families have brought their kids. The drinkers crowd an exhausted little food van next to the fence. Mexican food. There’s a band. The toilets are super clean, and children are playing everywhere.

And the work that’s been put into the place! The colours. Somebody has chalked up all the choices in pink, red, blue, green, and amethyst chalk, with the wines set out above that, and a gold light illuminating everything.

We ordered fast, wanting to get on with it. People knew each other. We sat outside in a wooden cathedral, looking out at autumn and a good weekend, with a public holiday lurking somewhere in the dust, and in front of us, the band, still setting up and talking to the locals.

Then they start, used to it, relaxed, and ready to play the favourites. There’s a child sitting in front of them playing with something in a cardboard box.

People and dogs sit together. Kelpies with serious faces, judging the music. The Mexican food van runs out of food within the first hour. But people are mellow, the band is playing John Farnham. Locals go up the road to get food from the general store and bring it back. But then there’s an altercation at the van; somebody didn’t get their nachos. The tables are a small lake of onlookers, and they look on at the argument benignly.

Near us, a young man is talking to a young woman, and an older man next to him is listening in, not looking happy. The band play Cold Chisel. The unhappy nachos lady nurses a grandchild, and sways along with Cold Chisel.

The tables, as one, break into a chorus, then just as abruptly, stop and dip back into their drinks and their lives. The band plays on. The food van is closed. The van workers are all slumped against the side, smoking.

It’s getting hotter. The tables are wine barrels. At the barrel behind us, the men, wearing farmer’s shirts, are discussing something. One man hits the table with the palm of his hand.

‘That’s what I told him. That’s exactly what I told him.’

At the toilets, a youth in black, leans into the tangled ivy and talks urgently into a phone.

The brewery staff work on into the afternoon, tireless, helpful, obliging, brilliant. When we leave, we pass all the inside tables There’s a man asleep on one, a dog asleep under another one, a family gazing at the chalkboard in astonishment, and a young girl cleaning tables; she waves madly, ‘Thank you, good bye, good bye.’