The Queen

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There’s a family at the front window of the shop. The child, a granddaughter, presses her nose to the glass, breathing fog. There’s a grandpa who does not want to come in.

There’s a grandma who does. She opens the door part way and says, are these new books do you think? He says, yes, meaning, so let’s not go in.

But she creaks the door a little further. He looms up unhappily behind.

You’ve got enough.

But Grandma indicates their grandchild. I mean for her.

He subsides. The grandchild (the Queen) squeezes between them, through the stone pillars of the family, through the gap, and passes regally into the shop. She asks me for Cat Royal. She is up to volume seventeen. But I only have volumes four and eleven.

Grandpa looks relieved. Let’s go then.

But the Queen has found Goodnight Mr Tom. She won’t budge for now. She repeats the title in a sing song (they have read this at school). She thinks she might read it to Grandpa, because it is about a Grandpa. He is standing near the door but she commands him toward the cane chair next to Gardening. He breathes out, longing for a coffee and one of those cream buns next door, and accustomed to his way. But the Queen slices his power into cubes and leaves them kindly on the floor. She will read and he must listen. He takes the cane chair, organises his enormous outdoor boots out of the way. The book is only some three hundred pages and will not take long. Grandma, in Art, looks at them and turns back to Hans Heysen.  Their granddaughter chooses Mr Tom and Grandpa, stiff with sitting, thanks me kindly, thank you very much, they all read except me, and then they all leave for the bakery, coffee and big cream buns.