The man who forgot his glasses

Shishkin Andrey.jpg

How we rotate our faces! Try to add levers to the eyes to push them further out – work properly, for God’s sake. Draw the mouth backwards, teeth forwards,  screw up the eye sockets.

‘What’s that one?”

“That’s Kingsley Amis. That’s Bennett…but I don’t think you agree with him.’

“No…no, indeed.’

This couple are examining the top shelf of Classics, but he can’t see properly.

‘That’s Enid Bagnold.’

‘Who the devil?’

 ‘National Velvet.’ And that’s James Baldwin.”

‘Silly writer.’

‘I don’t think so.’

They continue on, murmuring, agreeing and arguing.

‘No. Listen, I said…Bellow. Saul Bellow.’

‘Well, I don’t like the young writers. Is that Dickens?’

‘That’s Dickens.’

‘Ah…David Copper?’

‘Oliver.’

‘AH….My God, is that Durrell? Which brother?’

‘Lawrence.’

‘God, really? What have they got?’

‘All of them.’

‘…I’ll take Justine.’

‘I bet you will.’

They moved to Art. I can’t hear what they are saying, but I can hear the click and whir of the interested eye sockets, the loaded brain, the immense experience. He turns around.

‘Damn those glasses.’

‘Well, go and get them.’ She glares him into a decision.

He made one.

When he came back to the shop, he stood outside in the cold, pinned to the window outside, looking through at a Roald Dahl biography that he could have looked at in the warmth inside.  He peered, turning his head back and forth to get the details. He finally came in, and bent a brief sideways glance on me, his eyes, now magnified, were enormous, a three dimensional glare. But he was pleased. He continued onwards.

He forgot Art. He got caught in Young Readers.

He examined Swallows and Amazons. He said, ‘Ah.’

He looked at Geoffrey Trease, No Boats on Bannermere, and said, ‘Ah’.

His wife called out, ‘Look here.’

And he said, ‘EH?’ He didn’t move. He was back with Durrell. ‘Ah, goody, good and good,’

His wife called again, ‘Look at this.’

But he didn’t move.

She said, ‘Are you coming?’

He lifted his shoulders and shuffled past me; he said, ‘There’s no peace.’

 

Artwork by Shishkin Andrey

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The lady who read The Silver Brumby

Old Woman Reading Boris Mayorov (2)

Two ladies, friends, came in together and split immediately into classics and crime. A third lady entered, passed her friends without greeting and folded herself into young readers; horses, ponies, Australian classics, where she sat with The Silver Brumby until the others had finished. She looked up once to say that I did not have the complete series here. She said she thought that I would have that. And Tennyson.
One of the other ladies had worked hard to bring down a volume of Heinrich Boll, short stories from the top shelf – she was delighted because as a young girl she had read this book in German. She’d had to translate one of the stories from German to English at school. If only she’d had this very book she could have cheated the whole assignment through. Both ladies leaned in and laughed darkly. The Silver Brumby lady read on silently.
The friend who had read Boll in German brought the book to me and described one story, a girl who crossed a bridge halfway but would go no further; she had never forgotten this story. They prepared to leave, rustling, packing, removing reading glasses.
The third lady brought her books to the counter and reminded me that I didn’t have the complete set (or Tennyson) and that she was disappointed.
She said, you’ve probably not read Tennyson.
She said, you’re a thousand years too young. I looked at her, delighted.

Artwork: Old Woman Reading, Boris Mayorov