Paul Keating has an amazing intellect

Somebody said this at my window, tapping on the glass to show his friend that Paul Keating has an amazing intellect. But they didn’t come into the shop.

That’s ok, it’s the school holidays and the readers are out leaping into the shop with narrowed eyes like hunters on the path of something. One young woman announced herself to me but turned midsentence, already at the biographies and not finishing the sentence.

But that’s ok, I needed to sit down after battling the autumn leaves in the doorway again. And again. Every morning they come back and wait for me. My broom is coming apart.

When I was out there sweeping, an old lady asked me, ‘Did you get that book I wanted and can’t remember?’ But I hadn’t found it. I couldn’t remember it either, and she patted my arm and said, ‘Not to mind. I’ll leave you to your sweeping up.’

Sarah came in needing a number for a taxi. She said that what was going on in Lismore wasn’t good enough.

Robert came in after a year’s absence and started right off where we’d finished last May. His newest news was that he’d saved a lot of money by giving up smoking. He’d saved thousands. So now he could buy some books. But then he remembered that he’d taken up smoking again, and he showed me a plastic wallet of tobacco which reminded me of my grandfather. I almost said Tally Ho, but I didn’t. Robert said that the tobacco cost him $150 and looked furious about it. But then he noticed behind me on a shelf, The Secret Doctrine by H P Blavatsky, Quest Book, Theosophical Publishing House. He read all this out loud. Then he said, ‘I’ll have that.’

We looked at each other, pleased, and then talked about tobacco some more. Then he rushed out to do other errands, and Jim came in and ordered an esoteric type of book that I’d ordered before – for Robert. I told Jim, and he said, ‘I know, Robert gave me a lift in to Strath and told me to get one.’ So I got one for him. I said, ‘How’s Clayton, and he said, ‘Yeah, well you know how it is.’ Which I didn’t, but I agreed anyway.

The girl who was amongst the biographies came back to the counter with a pile. There was 1 historical, 5 crimes, 2 biographies, 2 children’s flats and 1 art book. She bobbed up and down while she paid, flexing leg muscles and looking powerful. I said, indicating Wolf Hall, ‘This is good’, and she said powerfully, ‘I know, my mum told me about it.’

Anthony came in for science fiction. An ambulance and police car went past, and then a CFS truck. He said, ‘that sounds bad’.

A silent young couple came in and looked at just about everything and left silently. I said, thanks for coming in, but they didn’t reply. A lady asked for a book about a certain type of guitar. Another lady asked for spiritual Christian fiction and then left with nothing and looking unsatisfied. I went to the bakery for a chocolate doughnut and there were none left and I came back with nothing and feeling unsatisfied.  

Then someone tapped on the window and called out to his friend that Paul Keating has an amazing intellect. The friend nodded with folded arms not looking interested. The man remained bent over and slowly examined all the other books in the window. They didn’t come in.

All in all a satisfying day. Except for the autumn leaves. Lol.

Illustration by Konstantin Mashkarin

On the street this afternoon when I was leaning against the fence with a coffee

Nothing is so satisfying as seeing what people do in autumn on Saturdays when it’s warm and nearly Easter, and we know that the warm weather is nearly at its finish line. It’s done a good job here. The fence is warm. Over the road two people are lying on the lawn. They have their phones on their chests, not looking at them because they are kind of asleep. It’s quiet most of the time, I’ve hardly had any customers. So I went outside and leaned against the warm fence.

First of all a ute and trailer went passed. Huge rolls of straw like golden Swiss rolls. And then a truck with sheep, so everything smelt like hot sheep. And then a ute with black smoke at the exhaust, so everything smelt precisely like …. that.

I moved down the fence, sticking to the sunshine because I like it today. It doesn’t have its February commitment.

A father and child pass me close. They’re silent. They walk exactly the same way. Their ankles turn in at the same angle. The child walks behind, then side by side, then in front, carrying paper bags of food from the bakery. The father adjusts his pace to avoid collision and to look after the truth.

Another younger couple come the other way. The young dad is wearing a backpack with a rope tied to back. The other end is tied to a go-kart. The go-kart burrs along behind him with a small child in the driver seat. The child is pedalling furiously and breathing hard but only goes at the pace of the parent pony anyway. The mother, turning back to look at them, looks pleased. She turns her head to one side to get all the information in and looks pleased. The father plods along. The child pedals. The child raises one hand in the air. The father, sensitive to the air, looks back and says, ‘Nearly there’.

Across the road a four-wheel drive pulling a trailer is trying to exit the carpark. In the trailer is a neat little dog kennel, tied in with a thousand straps and ropes. It will not fall out. The man, an older man, is talking to another man in the passenger seat. I can see them talking hard. I think they are father and son.

The reason I think they are father and son is because when the car behind them sounds the horn (this is because they are so slow the exit the carpark) they both jerk to look behind them in the same way.

Right in front of me a man has parked a motorbike and left two helmets dangling from the handlebars along with a beautiful pair of lime green gloves. It’s the gloves that make me stare. And the phone left on the seat. Sitting there on the bike seat and shining in the sun Not important enough to take to the bakery. Good.

Across the road a man climbed out of his car and walked across the park to the toilets. He walked with a stiff gait. He looked as though he’d been driving for a long time. He came back via the rubbish bins and threw something away. Then he stood with hands on hips and looked at the bin for a long time.

There’s a huge group of people coming up the road, and I might go back inside the shop. There’s about 12 of them. But when I look down the road again, they have all disappeared. Then a car passes and I see a face at the window smiling and smiling, apparently at me, but I don’t know who it is. I just remember the mouth and the smiling teeth that caught me in their beam.

That’s how people drive past. I just see an intense flash of person. Drivers slumped back. Drivers upright or leaning forward over the steering wheel, urging the engine onward. Masks hanging from the rear vision mirror. A passenger talking and talking at a driver, whose face over the steering wheel is frozen.  I can see the talking mouth of the passenger, like energetic moving rubber describing too many ideas.

There’s a man crossing the road straight toward me. He looks left and right, checking traffic, and continues on straight at me. He looks left and right and then at me. I think, do I know you? But I don’t. He looks determined. I think, why is he aiming right at my piece of fence. He strides on and gets to the kerb. I think, turn left you dick. And he suddenly does, not even seeing me, aiming clumsily for the bakery and stumbling a bit over the kerb and me backed against the fence thinking I’m going to write about you.

Two young men pass with masks, keys, wallets and phones in their hands, jangling all their necessity. A car passes with one person inside: the driver. She stops to give way at the intersection. She is talking away at something and gesturing, as though trying to understand it. Like I am.

Sculpture by Elizabeth Price

Broom stories 2

These are the things that happen when I am outside the shop sweeping the footpath. I have to keep out of the way of passers-by. I have to be wary of trucks parking right next to me with the reverse tune singing on and on. But people seem to like seeing a person sweeping. There’s something soothing about it. It’s normal. It’s never ending. The footpath gets itchy and I sort it out, and people comment on my work.

‘You’re making a difference, mate.’

‘Looks lovely.’

‘You’ll be doing that all day.’

‘Come and do mine.’

Two men came past, arguing: ‘That was an Ebola outbreak.’

‘No. There wasn’t. It was meningococcal.’

‘Don’t reckon.’

A man came past in a raspberry and white striped shirt and stood right in my way. A lady carrying an enormous cake box strode past both of us.

The man jumped, and said, ‘My word, I’m sorry.’

Everyone wears masks.

The lady with the cake box wears a black mask. Her shoes are black. Everything matches. She comes past again with a second cake box. I’m taking cobwebs off the fence and starting to feel hungry.

The lady comes past with a third cake. I move out of her way. She says,

‘All good dear.’

There’s a man with two boys. He wears a mask hanging from one ear. They all have the same baseball caps and they walk the same way with their feet turning softly inwards with each step. He is drinking coffee, and they all have paper bags. The boys have cokes.

When they come past, he says, ‘Watch where you’re going you boys. Don’t get in the way.’ The boys, who are not in the way, jump backwards to get out of the imagined way. They cradle drinks against their chests, and one says, ‘Sorry. Sorry.’

An old lady walks past, slowly, slowly, and turns to look at me. She has to turn her head and shoulders to find me, but she does, and she says, ‘Looks very nice, dear.’ Then she turns back and grips her walking frame and continues on.

A lady with a dog, says, ‘Sorry honey, we’ll get out of your way.’

But I am finished. The path looks restored. In an hour it will be wearing its normal skin again.  But that’s ok.

Unsquared again! And the boy who bought his sister a bookmark

A big old straggling family come into the shop. Lots of them and stretched across a few generations. It was raining outside, the wind blowing it against the door. All of them had rain on their shoulders. One man was wiping if off his glasses. A girl texted on her phone with the rain misted all over it. They were lively and unorganized, so I gave them Dave Brubeck’s Unsquare Dance (on my Boombox speaker hidden away behind a pile of Dickens).

‘Oh my God, remember this song? Remember this movie?’ A young man elbowed an older man, an uncle maybe, who didn’t respond; he was looking at a biography of Mao.

The young man moved into a small private dance.

The family began to disperse. Some back outside, some into Classics, some into their phones. The dancing man continued on next to me. He used just two soft square feet of carpet, eyes closed, one hand still holding a copy of Treasure Island, the volume he had picked up just as Brubeck began his idea.

The family talked in small groups. Rotated and change their gestures. Head to head; an argument about tall ships, chin and eyes showing authority. There is whispering, hissing, and then pushing. Family member are on phones, on knees. The dancing man still scratching the beat in the air. An old lady, a grandmother maybe, looked at him over the top of her glasses. She has a copy of Wolf Hall. Later she puts it back. The music ends, and the young man straightens up unconcerned and moves into the front room. My playlist moves to Pavlov Stelar’s Hit me Like a Drum. The old lady suddenly becomes mobile and warm and strong. She dances three steps, one after the other. Then she stops and looks at me sternly. She moves into another room.

I play Alexis Ffrench’s At Last, and a lady in Gardening sighs and puts her head on one side. Who is she? Is she with them?

There’s another argument. What’s the capital of Romania? ‘You wouldn’t know, Graham.’

‘Look, mum, it’s a bunch of breeds of cats. You don’t want that, mum. Look at this. Get it. Get it for your shelf.’ Mum shakes her head.

Someone reads out loud three times, ‘The Cats of Dipping Dell’.

‘Found anything of interest, Margaret?’

‘Well. No.’

A boy buys a bookmark for his sister. He says, ‘Quick, before she comes back.’

The all stream out, and on the way Papa purchases a copy of Pinocchio for Lilly, who says, ‘Yes, I’ll read it. Stop asking me that all the time.’

The boy who bought the bookmark is last. He looks back at me. His face is a lit lamp.

They’re gone.

Illustration by Sarah Jane

There were these men

There were these men outside the shop today. All climbed out of one car. Dressed pretty nice. They wanted food though, not books. They were supposed to meet people for lunch at the pub, but they’d parked at the wrong end of town. I watched them working this out.

They checked phones.

One man looked through the window of my shop. He moved closer and looked again. I thought, that’s good. He didn’t come in though.

The others, bless them, look in and then look away. Politely. A bookshop.

‘Where’s the pub?’

‘Here, I reckon. That’s what he said.’

‘Who?’

‘Dale.’

‘God, as if he’d fuckin know. Where is it?’

I felt sorry for Dale. I was a dale. They milled around on the footpath, pulling at their shirts. They all bent over their phones. Except one man who looking in at me. He didn’t come in.

Then, when I looked up again, they were all gone.

Photography: Odd Man In, by Louis Stettner, 1922

The old couple trying to cross a busy road

It’s hard out there. There’s more traffic outside my shop now. There’s a bus stop, a train station, a bakery and carpark exits. Endless rushing to somewhere. This couple held hands. They wore similar bright red shorts, running shoes and white t shirts, and she carried a bottle of orange juice, and she led him. As they made their way through a gap in the traffic, she led him. They were not fast, and several cars had to slow down, one to stop altogether. The man looked at his wife, stared at her face as she led him along, and although there are horns and hurrying all day long, nobody sounded their horn at them, or otherwise insisted they hurry along.

Painting by Benjamin Bjorklund

Jesus, God, you’re a moron

I can sit and watch through the window the way people cross the road. The bakery and the bookshops are on this side, but the car park, the information centre, the art gallery, the grass, the trees, the seats, the toilets, and the playground are all over the other side. Sometimes the road is silent. But mostly it is busy. To cross over, one needs to be organised.

One little girl, still holding the book she just purchased, steps from side to side, lifting one foot then the other as they wait on the kerb.  ‘This is gunna be a good one.’ She held the book up to her dad, and he looked down briefly, kindly, agreeing, but keeping an eye on the road, the kerb, the cars, his child, his life. ‘Looks good. You reckon you’ll read it?’

‘Oh yeah. Yeah. Yeah.’ She is confident. She is about eight. I could see her still piping up at him as they crossed over, and him nodding, still watching, watching, swinging his head from side to side and checking everything.

One lady has wild pink hair. Her partner raised his arm to indicate an opportunity to cross the road. She continued past my windows and crossed at a different place. She had purple jeans and orange shoes. She did not look back. She crossed alone, carrying a bag of apples.

One lady stayed on the kerb. She did not cross. She turned and stayed on my side, watching the ground as she walked. Every now and then she turned and checked the road, stopping and turning her whole body to see.

One young man strode out and across, checking his phone. A ute, travelling slowly sounded a horn. The young man gave the thumbs up, without looking away from his phone. He wore heavy work boots and a beanie. He had keys hanging from his belt. He laughed out loud and shook his head, not because of the ute but because of something on his phone; negotiating his way between virtual and real with ease and humour. At the kerb, he picked up something from the ground and handed it to a motorcyclist parked there and who was removing his helmet. The motorcyclist leaned back in surprise, and there was a conversation I could not hear. They shook hands.

A couple argued on the kerb right against my window. He said, ‘I’m not walking fast, I’m walking exactly the same as you. At a normal pace.’ She launched herself across the road, alone. He stayed outside my window and watched.

Children, not realizing the danger zone, hop. Their parents hang on, alert and scanning for wolves. ‘Come on. Walk properly.’

A motorbike sits alive outside my door waiting for a park, it’s throat rich and irritated. But the idling car stays. The motorbike lurches away, spitting angry stones.

It’s now quiet and rather beautiful outside. Across the road, the pine trees rise against the blue. Two young men on my side try to cross and are driven back by a cattle truck. One man thumps the other on the back.

‘Jesus, God you’re a moron.’

Once there was……

001 (2)

I can’t forget Claudia because of her expertise. She has been visiting my shop for a few years now. She is a confident reader; confident in what she doesn’t want to read. This is a valuable skill because it means you spend all your time looking for what you do want to read – and reading it.

Claudia is posting instalments of The Lighthouse Keeper’s Lunch by Ronda and David Hermitage on the front fence of her home in Strathalbyn. Passers by can read each instalment, and then consult the accompanying drawing on the footpath.

91324705_651913708893103_7876563639648387072_n

This means that we can exercise and keep up with literature at the same time. I encourage everyone to take advantage of this. Once we are all back to normal, these priceless opportunities may fade away.

Claudia once wrote me a list of items that are necessary for all good bookshops to have. Luckily, I have followed these rules ever since, and it has paid off because I am still here.

 

The walkers on the road through Strathalbyn

021 (2)

The walkers, they walk past my shop. The door is closed, it’s dark inside, but I am here, working away, listening. Nobody can come in; the door is locked. But out there, on the little path, people pass by, still breathing.

‘And that was fine.’

The friend, nodding, ‘Yes. Yes.’

‘And then, after all of that…’

‘Yeah, I know. But she still didn’t say anything…’

‘Get in, I’ll hand you your stuff.’ There is a man balancing paper bags of hot food next to the car.  She climbs into the car, sits in the front seat. Her hand reaches out, waiting for the paper bag of hot pies, waiting for too long. She’s looking at her phone, waving her hand about, waiting.  He takes too long, he is looking at a motorbike across the road. She looks up, and says, ‘My God!’

The silent prams buzz past. Swift glance in, keep going. Things to do.

One man calling back to another man. ‘I wonder if they still sell kitchener buns, and you know…mint slice.’

‘You’re not allowed to have mint slice.’

‘No, it’s alright now.’

Somebody talking loudly into their phone. ‘And even if they took your temperature….’

‘Na, he hasn’t got anything, na, no, he’s a moron anyway,’

‘Are they open?’ Faces at the window, looking in, frowning.

‘Hang on to me Dee, this perishing corner.’ People trying to cross the road. Carrying strong handbags.

‘You’re getting too close, do you need to do that? Don’t get quite so close. What are you looking at.’ A father to his young son.

‘I can’t read it. It’s too far away.’

‘Oh, Oh, yes I understand.’

A man breathing heavily. Placing paper bags in the back of his ute. Breathless, lighting a cigarette, leaning there, looking out over the apologetic world.  Looking over the road at the closed art gallery and the closed information centre.  Looks down at the road. Climbs into his car. Remembers his lunch and climbs back out again.

‘She’s closed! Yep! Fucking knew it!’ Young people, caring fiercely.

A customer, an old man, passing slowly, looks in straight at me. Nods. Yes.

I remember

shop empty (3)

Before I had a bookshop, the idea of having one lit up the back fence like some kind of unwanted answer from the past.

I remember looking at empty shops. When I found one, I thought, well! I never expected any kind of commercial success, but I did hope to survive. What the shop was to look like was paramount. It had to look like Diagon Alley –  because this was what I liked. Thus, the shop was based on what I wanted, what I liked, what I thought was good. A good selfish start.

(I had a lot to learn.)

Once a child said, “This is like Diagon Alley’, and sealed the happiest day of my first year.

I was surrounded by thousands of oblongs, each one containing an unexpected rich fuse. I felt so wealthy that I had to lie down and cradle my head.

It was not possible to explain such an abandonment of logic.  I remember experiencing it early in life; after reading Tubby and the Lantern. This was because Tubby and Ah Mee had a bunk bed.

In Little House on the Prairie, there was snow.

In Sam and the Firefly, there were lights, gold gems stinging an emerald blue sky.

In Whispering in the Wind, Crooked Mick could sit on a horse and drink two cups of tea while it bucked.

Later, Helen Garner, John Steinbeck, Dal Sijie…. uncovering the diabolical ache of life without solutions. So much. So little time.

Then, repeated visits to Jeff’s Books to learn how to do it:

What happens if…..

What do I do when…

Who is…

What is…

How do I…

What should I….

How can I…

Finally, back to my shop to actually do it. I had to learn how people read, and why. This was different, and it was difficult, and it still is. So much to learn, so little time. Luckily,  I recorded it all.

IMG_20160414_202309