set fast

“Architects plant their imagination, weld their poems on rock,
Clamp them to the skidding rim of the world and anchor them down to its core;
Leave more than the painter’s or poet’s snail-bright trail on a friable leaf;
Can build their chrysalis round them; stand in their sculpture’s belly.

They see through stone, they cage and partition air, they cross-rig space
With footholds, planks for a dance; yet their maze, their flying trapeze
Is pinned to the centre. They write their euclidean music standing
With a hand on a cornice of cloud, themselves set fast, earth-square.”

A.S.J. Tessimond, Earthfast

Image by Wenjie Zhang

La Pedrera, Barcelona, designed by Antoni Gaudi

What to talk about when things get uneasy

I know that people who come into the shop are a little more concerned than usual, and that if they weren’t before, they will be now. There have been conflicts and difficulties in the past, and I have had to intervene. But things have changed. The biggest change is that it is so easy to get things wrong, especially in a small shop where everyone can hear everyone else.This means I have to intervene more often.

Now I have something that can help a little. When there was angst about the government, I used it. Once, during an argument about Bob Hawke, I used it. Once, after an enraged threat, ‘Well, I’ll fucking tell you something’, I soothed the participant with it. Once some travellers from Victoria in my shop were told sharply that they had no right (to something). I fired the accuser with a new issue, and luckily it worked. A man leaned over me angrily about vaccinations, (‘it’s all about profit’), and I moved him on gently to a greater issue.

This is because there are common issues. We can bend our anger and hatred upon these, and they deserve it.

The greatest of these is phone updates.

I ask, ‘Do you like your phone?’

We mostly don’t. People bend over their phone screens for me, trying to find the words for something that, while vital, provokes endless rage. If necessary, I probe the wound:

‘Do you do the updates?’ No argument can survive this question. Everyone takes out their phone and looks at it, looking for the update still sitting there like an arsehole.

‘God, updates. With this phone, I can’t update anything. Look at this.’ And they show me the source of all evil, previous argument gone.

‘Fucking hate this phone. Don’t get an Android.’

‘Samsung. Useless. Apple is better. But…’

I ask, ‘Should I do this update?’ This provokes intense anxiety (except in young people, who will fearlessly update anything) in case I am mis-advised.

‘Don’t do it mate.”

‘Na, fuck that.’

‘Never.’

‘Do all of ‘em. Else you’ll be hacked the shit out of.’

There are other things. Printers. All people hate their printers. This includes me. They always work for the first eighteen pages… ‘

So, what printer do you recommend?’

‘God, I hate Canon. So shit. And Epsom. They’re wankers.’

“God. Don’t ask me. I got this one at home that….’

Australia Post. People look stern and severe.

‘You tell me why it takes ten days for a pack to get from here to Woodside. I mean, what are they doing with the stuff!’

‘You know what they charge? You ever been in there? You have to queue from here to the river. That’s because they’re all dickheads with fancy watches. Actually they’re ok here. But they’re shit in Mt Barker.

‘Well, they lost my stuff. Everyone knows they smash the parcels to bits and reckon they didn’t. No compensation for me.’

Developers.

I only use this for emergencies. Because after this one, everybody is family, and nobody will go home.

Because when I read

“Because when I read, I don’t really read; I pop a beautiful sentence into my mouth and suck it like a fruit drop, or I sip it like a liqueur until the thought dissolves in me like alcohol, infusing brain and heart and coursing on through the veins to the root of each blood vessel.”

Bohumil Hrabal, Too loud a solitude

British Tits

Birds 1.png

This is an old blog from January 2019 that I’m reposting because it was funny and it reminds me of summer:

I made a window display after Christmas and lined up the books in an amusing way by accident. Many people stopped to comment. Some leaned back and then leaned in and read the titles out loud. Some people took photos. One boy said to his friends: ‘Omg, look at this: British Tits or something. Is that what it says?’ But his friends have walked by.
One lady said: ‘Oh well, that’s a funny old set of books.’
One man stopped and pointed, he tapped the glass over and over with his laugh spilling slowly. But his friends, too  had moved on.
One lady rode her bike across the road and stopped at the window to take a photo of the display.
Some teenagers stopped and stared at the books. One boy said that his tits had thrush, and his friends looked at him politely.
One man parked his motorbike and took ages to stow his helmet, fold his jacket, haul out his bag, find his wallet. He stood packing things in and out and regarded the display impassively. Then he went to the bakery.
A child said: ‘Look at the cat.’
On man said: ‘British Tits to his wife, twice, and she looked at him and didn’t smile.’
Two old ladies together read out the titles and looked at each other and laughed like anything. One of them said: ‘What’s wrong with Australian tits.’ Her friend leaned back and laughed about sixty years of life easily up into the sky. They walked away arm in.
Some high school students, two boys and a girl walked past and one boy read out the titles. He read them again, but the other boy didn’t hear and the girl raised her shoulder against his joke.
One man roared out: ‘British Tits’ to nobody and nobody responded, and he continued on to the bakery.
Sometimes I feel as though I’m on a houseboat. And life gently gulps past the window, removing and returning, on and on, and never really stopping, not even for British tits.

Birds 2.png

The stuff we find at home when there’s time

I found a tiny plastic box with tiny library cards that I made for my dolls. There was a tiny pencil and erasure. There was obviously no greater outing than the public library. So my dolls must’ve gone there and borrowed stuff.

I found a large mandarin coloured glass ball that my brother dug up in our chook yard and gave me. He said it probably had something to do with Merlin. I tried to glue it to the end of a long slender piece of wood, but no amount of aquadhere would do that. But what can you know when you’re eight years old. Except that I wasn’t eight. I was about fifteen. Weird.

I found an old diary with “I wish I had a boyfriend” on the first page. But there was no one interested in me, except maybe useless Merlin who didn’t even bother to turn up. Bastard.

I found a little jam jar full of pebbles from Lake St Clair in Tasmania. I found gumnut cups that I’d kept as proof that the Banksia Men were real. I found three matchbox cars and a cloth bag with a coat hanger about one inch long. A daughter made that. It was to hang up  a mousie’s jacket.

There are marbles, nappy pins, pieces of glass, pencil sharpeners, memory sticks and nail files. A man made from a cork with clothes glued on and a nail coming out of the top of his head. A box of little fragrant candles too valuable to use. A jar of sapphire blue glass too beautiful to give up. Photographs. A tiny metal duck. An essay written by a 7 year old about why we should never give pins to babies.

There’s a glass jar filled with strips of paper carefully cut out. On each one, a thought printed in black pen. It was a birthday gift. I pull one out:

“Dear mum, thank you for the glasses gene.”

There are cross stitch kits, embroidery books, mosaic instructions, packets of seeds, knitting needles, a long stitch kit never even opened. My mother saying, ‘Finish something.’

There are about 12000 books.

Have a clean out. Declutter. As if.  

Mary died

Last Sunday, Mary died. She was my mother-in-law. When I met her, I thought she was a bitch. Turned out she thought much the same of me. Back then.

 I remember the afternoon I met her. I was wearing a hot pink sweater with a big cross stitched flower on the front, which I thought looked pretty impressive even though it didn’t. She came out of the door at the unit on OG Road and descended on me, eyes boring into mine, assessing the future, taking control. I dug in and began building the defence.

She moved straight through it. Told me what to do, and when. Told me what I owed, and where my responsibilities were. Told me to come and stay and not to leave. Told me I was ridiculous, presumptuous, selfish, all of which were possibly true.

I visited the family farm and tried to go home again. We fought in the back rooms, and she threw a book at me. I worked on plans to make distance. She worked on different plans.

She told me she hated cooking because it was a waste of time, and I looked at her with sudden respect and then looked away. She said, ‘Come and sit with us.’ I resisted. She sat with me. I plotted to move away.

Once, in Cleve, we parked the car in the main street. There were a group of lads in a tight circle, all wearing black, all with earrings and tattoos, and one shaved bald. Mary sailed right into the middle, scattering cigarettes and plans of anarchy. She said, ‘Well how are you young Jonesy? How’s the farm?’ They straightened up and answered appropriately, sensing, unlike me, that her interest was genuine and would not be easily satisfied.  She asked more questions, and more questions, and they answered obediently.

I thought, she goes anywhere.

Once she told me she had to travel across Sydney, all by herself by train, for a women’s group meeting. She said she was terrified. I looked at her and took a small defence down.

Still, I dug trenches and avoided. Launched missiles which came straight back at me. Complained to my own mother who said, ‘Don’t be so silly.’

Mary was first at the hospital when all the babies were born. First to let everyone know. First to pick up the babies. One of my babies was born on her and Leith’s wedding anniversary. She told me by phone that she thought about that all night. I took another small defence down. We squabbled about boundaries and privacy.

We bickered and fought and disagreed, and I placed obstacles in clever places so she could not reach me. I thought, I’m strong too. Don’t tell me what to do. But she did. She went anywhere. This included the dark defended areas of my own fear. In she went. Once on the back veranda of my own house, when I had little children, I cried. She stepped in, dropped a bunch of grapes on the decking, and stepped in. ‘It’ll be ok.’ She wasn’t bothered by what it was. She just knew it would be ok.

I criticised and bitched and angered at her and about her. I would be a better parent than her. I wasn’t. It all fell in pieces. She never said a word. She loved conflict. She loved chaos and problems. ‘It’ll all come out in the wash. No need to worry about that.’

I took down bits of defence, cautiously.

She loved to eat cream buns, and would say, ‘Look at this. Oh well, going to die anyway, aren’t we.’

She went everywhere.

I heroically fought off her invasion even though there wasn’t one. I mistranslated energy for obsession and appetite for control. I fought off her interest as something dangerous. I noticed that my growing children didn’t agree with me.

Mary kept on, each day seemingly worth the effort. She said, ‘Once, when I had four small children on the farm, the head shearer threw his dinner at the wall. That was a sign that it was not a good dinner.’ I looked at her in horror. Once she said about her own mother, ‘It didn’t matter what I do, mum’d have a go at me.’ Once she said that she nearly didn’t make it with four small children on a farm and nobody much to help out. I moved my arm a bit so that it went next to her arm. She was watching Keeping up Appearances and laughing loudly. She gripped my hand and kept on laughing.

Once we saw a new product at the supermarket. Corn Chips. I said in the aisle, ‘Look at these’, and she bought three packets, and I was shocked. Unfluent in generosity and impetuousness, I was shocked. She said, ‘Well, why not.’ She got Windows 95 before anyone else, and said, ‘Don’t open too much stuff on the screen at once, or it’ll freeze.’ She said things like, ‘Oh well, it’ll be all right.’

Well, buy it, then.’

‘Well, there’s not much we can do about that.’

‘I think so too.’

I got older. My energy fell away, and my jokes became feeble, but Mary still laughed at them. I said, ‘I’m getting old’, and she fell about laughing and raised one leg in the air.

She looked at all my children, and said, ‘Look at them. Nothing wrong with them.’

She got some great grandsons. Three little fellas. I noticed how much she approved of their naughtiness. How interested in the conflict. How she valued the problems. How she laughed and raised one leg in the air. How the worse things got, the more valuable they were.

When she got sick, when her mind fell away gently in flakes, and she had to go into care, she still laughed at my poor jokes. I said, ‘My hip is going.’ And she was delighted.  She said, ‘Where are the men?’ Her men were everything to her. And I said, ‘Who knows, who cares?’ And she laughed with her arms straight up in the air, and I saw she was getting thin. She said, ‘Tell them to come in, dinner’s ready.’ But there was no roast lamb. That day, there was just the disinterest of Resthaven, and me, and I had so little to offer.

Once, she said, ‘Felicity.’

 In the hospital, when she wanted to go home, she said, ‘I’m not well, am I.’ She hit one of the nurses. Once when I visited, she pointed one arm toward me as though in desperate recognition of something from some long ago place, and she got up and walked towards me, and I said, ‘How are you?’ and she said angrily, ‘I’m dead.’

She gripped my hand so hard.

She always wore pink hats. At Resthaven, she still wore pink, and I was glad. She always had good shoes. She used to buy clothes and things, try them on and return them. ‘Get it, you can always return it’, she always said to me. Rich in life and mistakes and great fields of wheat, and fruit trees by the gate that shrivelled because Leith put Roundup on them on them by mistake.

She always said, ‘Here you are with all your books.’ She broke through everything I put up.  I don’t know how. She always said, ‘Allo, allo, allo, how are YOU?’ One of her sons still says this same thing, and means it, thank God.

Once, a long time ago, my mother-in-law’s mum, also called Mary, told me that she rocked all her kids to sleep in a bassinet on the veranda at the farm, and it was so hot. One of those kids was my mother-in-law. A nurse came, who was young, and said my mother-in-law’s mum needed to do things a bit better. Then my mother-in-law’s mum got old. She used to make shepherd’s pie at Aberfoyle park for me when I was still new to the family, and she agreed with my criticisms of my whole new family. Then she fell away into the different and awful place of dementia.  I was busy with babies then, but I went to St Agnes and visited, and she looked at me and smiled and nodded despite everything.  

When I was young and new to this family, I sat on a sand dune at Port Neil and listened to my new mother-in-law talk about her own mother, the one who had made me shepherd’s pie. I sat stiffly on the sand dune next to my mother in law, who she sat with her knees under her chin, looking at the sea. Next to her, a younger aunty, complaining about being told what to do.

‘She won’t stop telling me what to do. I’m forty years old.’

Mary said, ‘I’m 50, and she’s still telling me what to do.’ And they laughed.

I was 23 back then, and knowledgeable and wise and sulking as I looked at the sea. I listened to them and thought that I won’t be like this. I’ll sort this all out. I won’t be part of this.

But it was too late, I already was. Thank God.

And I still am. Thank God. Thank God.

RIP

Try this one, it might work better

Two men came into the shop today together, and I thought they were brothers. This is because they worked shoulder to shoulder. First they had to check in.

‘Did you get it?’

‘No not yet.’

‘Come inside. There’s another one in here. Try it. Might work better.’ They found my app printed and hung up in a different place.

‘That one out there must be on a shadow or something, generally I get it, don’t I.

The other man instructed him.

‘Come back a bit. Come back a bit.’

‘It’s been working beautiful till now.’

‘Yeah, I know mate. Come back a bit, you have to get the whole thing in.’

‘I’ve got it.’

‘No, you haven’t.’

‘Ok, I’ll have to sign the thingo. Don’t know why that is, it worked beautiful in the bakery, sorry to be a nuisance.’ He looked at me apologetically. I said, ‘Not to worry.’

I rewarded them with Melody Gardot through the speaker. They swayed.

I watched them move. Gentlemen, with hands in pockets. Silence. Leaning over the books with courtesy and interest. One men went into Art. The other man swayed, listening. They passed each other twice in the same narrow space. ‘You right?’

‘I am, mate.’

Hats on, black, coats on, blue, shoes stout helping with winter. Silence and breathing.

Suddenly their wivesentered, signing in efficiently. There are three of them. Who is the third?

‘Come on, girls.’ The see their men.

‘Oh, ello stranger, fancy meeting you here.’

One of the men responds, ‘Do I know you?’

Why are you in the children’s books?’ They don’t answer.

‘Come on Sue, let’s get Nora Roberts.’

Sue, in a beautiful red coat moves gently and slowly. ‘Did you sign the thing?’

‘We did.’ They move off, Sue with a walking stick. They ask each other.

‘How much is this?’

‘Is there a section for crime?’

‘I know what author I’m going for.’

‘Here, watch your step.’

Meanwhile, the husbands are still in art, shoulder to shoulder. They are examining their wallets. I listen to them when they pay for the art book.

‘Hans Heysen, not a bad bloke.’

‘He didn’t do too bad, did he?’

‘Now that I’ve retired I should put my finger back into the apple pie.’

‘Well, I’ll tell you what…’

Then they left, alone, and without their ladies. Outside in the cold, I could hear them still talking, still bent over the book he had open and was holding out under the afternoon cold.

‘Have they gone? Where are they?’

‘The men have left us behind, Sue.’

‘They’ve all gone, have they?’

‘They’re probably looking for us.’

‘Well, we can get back to the car. Don’t need them.’

Then they left, but I can still hear them outside the door.

‘I’ll just look round the corner.’

They moved slowly out and on and past the window. I can still here their voices…

‘…well that’s their fault for just sitting at home…’

Unsquared again! And the boy who bought his sister a bookmark

A big old straggling family come into the shop. Lots of them and stretched across a few generations. It was raining outside, the wind blowing it against the door. All of them had rain on their shoulders. One man was wiping if off his glasses. A girl texted on her phone with the rain misted all over it. They were lively and unorganized, so I gave them Dave Brubeck’s Unsquare Dance (on my Boombox speaker hidden away behind a pile of Dickens).

‘Oh my God, remember this song? Remember this movie?’ A young man elbowed an older man, an uncle maybe, who didn’t respond; he was looking at a biography of Mao.

The young man moved into a small private dance.

The family began to disperse. Some back outside, some into Classics, some into their phones. The dancing man continued on next to me. He used just two soft square feet of carpet, eyes closed, one hand still holding a copy of Treasure Island, the volume he had picked up just as Brubeck began his idea.

The family talked in small groups. Rotated and change their gestures. Head to head; an argument about tall ships, chin and eyes showing authority. There is whispering, hissing, and then pushing. Family member are on phones, on knees. The dancing man still scratching the beat in the air. An old lady, a grandmother maybe, looked at him over the top of her glasses. She has a copy of Wolf Hall. Later she puts it back. The music ends, and the young man straightens up unconcerned and moves into the front room. My playlist moves to Pavlov Stelar’s Hit me Like a Drum. The old lady suddenly becomes mobile and warm and strong. She dances three steps, one after the other. Then she stops and looks at me sternly. She moves into another room.

I play Alexis Ffrench’s At Last, and a lady in Gardening sighs and puts her head on one side. Who is she? Is she with them?

There’s another argument. What’s the capital of Romania? ‘You wouldn’t know, Graham.’

‘Look, mum, it’s a bunch of breeds of cats. You don’t want that, mum. Look at this. Get it. Get it for your shelf.’ Mum shakes her head.

Someone reads out loud three times, ‘The Cats of Dipping Dell’.

‘Found anything of interest, Margaret?’

‘Well. No.’

A boy buys a bookmark for his sister. He says, ‘Quick, before she comes back.’

The all stream out, and on the way Papa purchases a copy of Pinocchio for Lilly, who says, ‘Yes, I’ll read it. Stop asking me that all the time.’

The boy who bought the bookmark is last. He looks back at me. His face is a lit lamp.

They’re gone.

Illustration by Sarah Jane